after the success of the leitzeiten ep from turbo turbo last year, we release now for the very first time this digital bonus track inner walls in combination with a fresh new remix from dan curtin. dan curtin better known with releases on strictly rhythm, peacefrog, sinewave, sublime, mobilee, paper, epm and his own label metamorphic and of course with his side project purveryors of fine funk (peacefrog records) delivered us a typical dc acid bomb. this mix is a pure bomb on the dance floor. together with the amazing original version is this record a sure player for every house and techno lover. we are proud to release this both great track son one 12inc. this record will be available on vinyl only, not as digital release.

cadans is not a stranger to darko essers labels as hes seen a solo release on balans in 2013 and most recently put out a collaborative ep with the label boss himself on the tripeo imprint. throughout all four productions cadans deep, bass-heavy background is able to shine through with his extensive use of clever percussions.

future sessions is proud to have two great producers such as g.marcell and myles serge both hailing from the midwest. now to the music and we have g.marcell “damaged earth ( you ) which flows with so much goodness and the chords and pads are the aesthetics to this amazing journey with its pounding kick and its deep bass most def one of favorites at the moment then we have g.marcell “ sea side “ with its think kick and its driving bass gives it that tripped out start then right into the deep pads and its movings synth’s which joins into this well thought out track strickley for the deep minded. then we have myles serge “ glass” which starts out very rough with its pounding kick and its melodic key’s right into a solid jacking gritty sound myles is know for. then last but not least we have myles serge “ shift “ this one is very raw with it’s techno clash drums and percussions and its jabbing synth’s and it’s invading pads a very latenight track for sure and its heavy laden detroit sound … we want to thank you at future sessions for allowing us to be he we are true music lovers and that is all much love to you …power to the people and god bless you

the second ep, 1987s greenfingers, was their final recorded work and, according to hayward, its possible to hear the group atomising and preparing to go its separate ways within its grooves. the only this heat or camberwell now recording not to have been produced at brixtons cold storage studios, it was recorded as a diy exercise and – unusually for either of the groups – was not pored over laboriously for a great deal of time. the ep also saw the addition of a new member, maria lamburn, primarily on sax, whose element unknown was inspired by her experiences in the nuclear protest camp at greenham common. camberwell, in south london, pops up infrequently in pop culture. perhaps you know it from the camberwell carrot, the heroically sized joint smoked in cult movie withnail & i, or perhaps – if youre attuned to experimental music – you know of camberwell now. the group formed from the ashes of this heat, the art-noise group whose catalog was reissued on modern classics recordings in early 2016.

one more time we choose two little known gems for re-release on 45 rpm single. another single by the same group is pretty in demand by funk 45 collectors. these two sides are not that much known but they certainly deserve the same attention. while funky you is pretty good, uptempo funk, the b-side is the real beauty of this record. love come down is a fine example of chicago soul which has not been re-released yet. hopefully many people appreciate the work behind this release, from both the original musicians as well as those who are responsible for this high quality re-issue.

luv*jam presents dream house tropicana volumes, dream of tropical palms trees, turtles and waves. blind jacks chief blorper ‘gnork’ hooked l*j up with a secret agent named aleksandir - this very person is here for you now, with his debut record ‘the turtle nipper’. it’s not just an ep, but a mini album of nippiness! get swimming with the turtles on a crest of a wonky wave from istanbul to bristol via terrapenia. limited hand stamped box turtle bonanza.

the turbo debut from gilmer galibard is a collection of four dark, visceral techno floor-destroyers from a young canary islands-based producer about whom we know relatively little. it also marks the labels first release to feature a swear in the title, offering a foreboding glimpse of the paranoid machine-driven warehouse terror contained within. by now you will have heard the demo in its entirety and are still dancing whether you want to or not. for my purposes, you will use the search engine optimization terms dark, visceral, techno, floor-destroyers and paranoid machine-driven warehouse terror to ensure that it finds its way to the 83 people who need to hear the release through this specific channel. you may tell people i am 26 years old and from the canary islands both facts are true and sound comforting enough but as you now know this does not matter. print this in its entirety and leave the release title unchanged. i would say ive said too much but that is impossible because as youve come to understand all of this has already happened.

this monster 1976 lp from nassau s munnings brothers aka beginning of the end is a stone cold classic. fact. well deserving of a place in any record collection! this, their second lp (with 1971s infamous funky nassau preceding it) features the brothers original, fresh sound a mixture of tough funk rhythms, bahamian soul and flourishes of jazz and rock is an extremely well executed and produced body of work. not surprising considering the band were one of the bahamas foremost musical outfits. the brothers musical backgrounds could not have been any more fitting, they cut their teeth playing regularly alongside the likes of nat king cole and count basie at their fathers well known nightclub the cat and the fiddle, what we get on this lp however is not jazz, but lean, melodic soul music! original copies of this seminal lp can change hands for 100 s on the used/second hand market and is a solid constant at the tops of the wants lists of record aficionados. the lp has been illegally reissued numerous times without any care or attention being taken to retain or respect the quality of the amazing music contained within. not so on this occasion, this is a fully legit, sanctioned reissue done in conjunction and with the assistance of miami s tk disco empire. now is the perfect time to revisit the deep, soulful sounds of the munnings brothers endeavours, a truly sublime collection of songs, drenched in sunshine, masterfully produced and performed with pure vitality. a truly classic album. sounding as fresh as it did almost 40 years ago. jump in the water!

passion for jazz and soul music. reekee, a remarkable young and talented artist from modena (italy) not only plays the keys as an extention of his mind but his true and pure sound makes you feel warm and connected from first notes. a mixture of broken beats with soulful melodies & analog drummin and reminds early mr. fingers tracks. you often get a nu-jazz feeling and can clearly hear the jazz influences between the funky house beats. because it s so difficult to describe the feeling you get listening to his music, you should hear it yourse.

what’s on help008? mainly music from the arhus-boy dj sports. it’s sort of a debut, but sports has released a bunch of tracks on regelbau and help over the past years, solo + with his groups maizena, sportscentral and lester. this young sensible producer initiates the release with the breaky hidden spheres that has a cool piano. next another leftwing original from sports. this one, with it’s flute, breakbeat, confident synth chords and beautiful minor nature is a favourite of mr. sports parents. this one is our favorite, his parents. if we haven’t lost you so far, the flipside contains a timeman dance version with more danceability, hook and playing time than the original version of the bridge that was released on the tape sportscentral. last but not least you get an alternative version of that get-in-touch-with-your-inner-passion/synthesizer-melody-rythmical-ambient-track mindless turns, that also originally appeared on the aforementioned tape. we hope you ll like our new record, that, if on repeat, might provide you hours and hours of by-yourself enjoyment.

remembering the old days is not always the wrong choice. david jach focused on his roots and with back to house and he reflects where his own sound is coming from. oldschool vibes meet a new way of club aesthetics. a homage to friends of classic but modern house productions with punch. his friends okain and agent are with him on his journey and provide their interpretation of oldschool house music. both give the original an individual twist and the three productions together build a harmonic picture back to house .

from the realms of buenos aires’ legendary and undocumented nightlife comes a new ep by djs pareja - who have been generously introducing us to their nocturnal dancefloor visions since the very beginning of cómeme, shaping not only the label’s sound and message but also influencing heavily the modern takes on techno in latin america. here’s their ep “alto” literally meaning “high”, and this is where it’s supposed to take you and surely will.

opening things up, the sinister title track is a dense, winding affair built around staggered tribal patters and powered along with a brooding reese bassline. he/at’s “set openers” have become something he is known for and this is definitely one of his most dramatic. after that madness, “it’s impossible to describe the smell of a wet dog” strips things right down with subtly chaotic-timed rhythms and synth-work. kind of minimal...but not.
on the flip side, “a drama out of a crisis” is a straight-up new-meets-old techno stomper with early beltram-esq beats and modulated melodies, before the ep closes out with the rawness, “the man who made husbands jealous” is a tough acidic kind of work out with an infectious hook we think you’re going to like.

jesus nava, willian kraup, waitz and fhaken oined for a special material 12inch! these tracks will not be released on digital until end of year so grab them fast

hard previously unreleased dubplate cuts on side a, i roy vocal & dub on the same rhythm on the b-side! legendary channel 1 dubplate music. this version of -free black man- by earth & stone was scrapped for release in favor of the softer version that eventually appeared on their -kool roots- album, but this heavy cut achieved infamous dubplate status thru play on uk sound systems. in the case of this tune, it seems only dubwise cuts made the rounds, as we ve not heard (or heard of) a full vocal. and like many tunes not pegged for release from back in the day, mixdown masters were never kept, so only dubplates remain to haunt us. here you get two hard dubwise cuts, remastered from dubplate (punters beware!), raw as ever. on the flip side, i roy s vocal, the only released cut on this rhythm, as well as the only released dub, as appeared on the -musical dub attack.-

gazel is one of those tunes that went viral from the very first minute. djs like baris k, ata or acid arab are still playin this tune since it was made in 2013. mehmet aslan and dario rohrbach finally managed to create with gazel this kind of tune that blows away every dance floor. the impact was not only on the dance floor. several threads on social media appeared with videos, desperately looking for the track id. but there were also the ones, that had to rip it of a set of baris k, so they can play it. the b-side goes definetly deeper when alma negra is able to make a tune you want to open your set. on this gem they combine northafrican folklore sounds with classic deephouse drumpatterns and trippy synths. fleeting wax has managed to put together some of the most promising artists of the hour, having dario rohrbach on board who is part of the alma negra collective and will hit this year with promising releases for example on yoruba. this release is going to find his way in many dj-bags and wont leave it so fast

as her 1st official self-release under her own label, creator diy, low leaf has produced a distinguishable record that not only establishes her prowess as a composer, multi-instrumentalist, and producer, but also demonstrates her ability to execute her vision as a completely self-sustained artist in a lane all of her own creation.

despite the renewed interest in music from kenyas past, finding these tracks and their rights holders hasnt become any easier. only a handful of music archives around the world harbour collections of kenyan music, and just a few private collectors in kenya and abroad have been sharing catalogue info online or privately. one of the problems with east african music of this era is that much of it was originally released only on 45 rpm, seven-inch vinyl singles, many of which were only ever produced in tiny runs of a few hundred. 45s with their thin, paper sleeves do not age as well as lps and are often far more susceptible to the elements

break records are being released at an astounding rate. yet most of the sounds and samples used are just the same recycled material from the last dozen break albums. this leaves the dj who is looking for new material to create with, disappointed. that is… until the arrival of grime-n & starfunkle’s sushi breaks, a break record that is the compilation of a decade’s worth of crate digging, sampling and beat making.
featuring all new production from an international array of renowned hip hop djs and producers. each track of beats is set to single bpm, letting the dj juggle endless sets with no need for sudden pitch adjusts, giving maximum creativity to battles routines. sushi breaks is chock full of original sounds and samples not used on previous break albums, offering the dj a whole new tool box of scratch to paint their sound canvas with. pressed at maximum groove depths, sushi breaks keeps the needle where it’s supposed to be, so you can do your best work without interruption.

many of us wondered what happened to legendary chicago artist, producer and dj spencer kincy aka gemini since the early 2000s. a cursed journey into insanity or a deliberate choice to turn the page of music for another life ? speculations have been abound...where did he go ? with these 3 previously unreleased tracks one should think spencer is back on the scene...but not quite. just lost tapes found in the attic, some unlikely email communications and you ve got the lost ep, his final testament under the gemini moniker. what you have here is another brilliant example of spencer s musicality, raw or metallic sounds melted into live and program drums delivering unique dancefloor energy (4321, jungle life) or deeper, and simpler structures with chicago vibes from another age (monday to wednesday). defiantly fresh !

kian t, a self-confessed analogue synth addict, steps up for the 6th secret reels release and with an ep on big bait already under his belt and one forthcoming on toy tonics, 2016 is looking like a vintage year for this italian producer. this ep is all about tough beats, warm & punchy synth lines and a few dusty vinyl samples thrown in for good measure. kian s production values are always on point, and these 3 tracks are no exception, instantly standing out from the crowd. on remix duties is man of the moment daniel leseman. his solo productions and remixes are firm favourites with a vast swathe of top djs. he is also one half of fouk, alongside junktion, who have absolutely taken over recently with releases on heist, razor-n-tape, house of disco and not to mention their own label outplay. daniel turns the tough syncopated beats of flughafen into a shimmering, funk-laden piece of house.

repress 2016
the still fresh label foul & sunk is about to release their fifth ep, and still not an year old! this time ist is the debut single from oldschool-house affictionado borrowed identity. though still young, you could easily believe that he was there since the beginning, producing a fusion of detroit- and chicago- style house with his own up-to-date flavour. and he got the fantastic mark e to finish the aside of this 4-track record with a remix

castanea records is on the way to present its fifth release by alka rex. this vinyl includes four tracks micro minimal techno, the label continues to offer increasingly innovation quality and new experimental sounds as always following its starting line, definitely the umpteenth vinyl only release not to be missed

es gibt den frühen acid house-holmes. sein letztes soloalbum the holy pictures (2008) atmete la düsseldorf, the jesus & mary chain und brian eno. er produzierte primal scream und jon spencer blues explosion. und er schrieb (und schreibt) unzählige hollywood-soundtracks, allen voran für steven soderberghs oceans trilogie (mit george clooney, matt damon, brad pitt). nun legt david holmes seine late night tales version vor, bestehend aus vielen, kleinen kopfkinofilmchen, in denen wir auf david crosby, buddy holly und die children of sunshine treffen. dazu gibt es reichlich exklusives holmes-eigenmaterial, kollabos mit bp fallon und jon hopkins, sowie das von ihm produzierte 10cc cover i m not in love von song sung. insgesamt sind es 9 exclusives, wozu auch die spoken word-perfomance von stephen rea zählt, der aus seamus heaneys aeneid book vi elsewhere anchises vorliest.

after releasing two albums independently (little armenia, saturday night at the magic lamp) as well as scoring music for the recent vice films release a girl walks home alone at night (produced by elijah wood), the next release from los angeles-based producer bei ru is l.a. zooo, his first instrumental beat concept record which incorporates everything from bugged-out middle eastern melodies from the 1970s to obscure electronic, funk, jazz & soul sounds. hypnotizing keyboards, pulsating bass lines, and infectious drums guide you through the l.a. zooo - a playful, yet ominous place where humans and animals coexist and weapons and armor are required for simple walks down the street.
pressing on transparent pink vinyl.

after his great record on innervisions, the guys from exit strategy convinced nuiton to get this killer release for their label. like baudelaire once said: „you need three things to create art: currentness, history and last but not least coincidence“.

four tunes called 4d mind sculpting comprise this 12 inch that fill up the frequency spectrum with its acid lines, chord progressions, and arpeggiation lines. four dimensions do not exist in our reality but if one could imagine the extra dimensional sense, then these four compositions are what i imagine.

we re extremely pleased here at invisble inc hq to be releasing this amazing new album by veteran multi-instrumentalist and ethno-musicologist jon keliehor. originally from seattle and musically active since the 1960s jon started out playing drums and percussion in bands like the daily flash and bodine all the while becoming known as a venerable session and touring musician in his own right. not many people can claim to have played alongside jim morrison and james brown....but jon certainly has.

the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inches (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

those who preordered, do not have to do so again, we will contact you when we have stock! the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inchs (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

two of australias most talented prospects have collaborated on a stand alone release.

cocoon recordings is back with another limited 10inch edition! scotsman vince watson and frankfurt cocoon family member frank lorber are in charge for our latest baby and with no exageration we feel this is going to be one of this years highlights! although hailing from erskine in scotland and meanwhile residing in amsterdam speaker freaker by vince watson appears like a detroit house gem in perfection! this is planet e, this is electronic art, this is a deeper than deep tech-house-lovers delight! if you missed the high times of detroit techno maester vince watson beams you straight back to it - however not without adding up to date soundscapes and frequencies. you might guessed it already and we have to admit: we really fell in love with this one… big time!

for the hundreth release on boxer recordings the label owners were able to find someone very special. someone who impressed and characterized them already 20 years ago when both were working in the groove attack warehouse responsible for packing boxes mostly with kruder & dorfmeister records and cds. peter kruder - known as producer, dj and one half of the electronic super-duo kruder & dormeister - delivers the perfect soundtrack for the 100th boxer anniversary party. stylistically confident hes crossing the areas of house, techno and dub and touches even the border of dubstep on the track the sign. the release with the plainly title boxer 100 is not a knockout nor a right punch - boxer 100 is a fleetingly skipping athlete whos strength comes from his verve. just like a certain mr.martiniq 100 catalog numbers earlier.

this is an official reissue of what am i gonna do for fun by the band pitch (1982 - new york city). this release also includes a fantastic remix or rework by tolouse low trax (toresch, salon des amateurs, düsseldorf). a few words from stuart shape, the producer: feels like it was done by another person. i remember getting the serge synthetiser to stay in tune was always a problem. we were fascinated with the new sampling that were just coming out, and kind of got carried away on the vocals. not sure what i was thinking about with the lyrics, guess maybe trying to figure out what i was supposed to be doing when i wasnt working or playing music unfortunately no other finished tracks from that era have survived. they recorded a lot, but finished and saved very little.

with new wake up! ep further apart lerosa s mark of fluent, elemental and strong work offers increasingly deeper sulphuric and acid sounds. down reaching, complex grooves and rhythms give direction into solid moving tracks - where i want to dance. currently located in the emerald isle of ireland, you wonder if context gives form to lerosa s sound, a permanently sodden landscape offering the backdrop. weighty tracks such as terza persona seat layers of digital, organic beats, peals and stabs that contain the same sort of dark nourishment that staring at a black bog in connemara* might evoke. despite its wide, dark tones, lerosa s tracks always contain a dimension of upbeat empathic elements which make it so attractive, the kinda pelvic push and pull where you wish you had the foot work to pelt out some shapes. *connemara is a district in the west of ireland, the boundaries of which are not well defined

with noblesse oblige you find yourself among the aristocracy of the mind and body… it is a gathering of artists with a different heartbeat and mindset… fitting the gooiland elektro spirit as they operate far away from contemporary music standards… not being interested nor moved by trends and hypes… instead they share the mission to produce uncompromising sounds for the real freaks with music both for the dancefloor and the headphone… in this case this means sweaty ebm, dark techno and industrial acid… but that are just some name tags… it is all about the experience…
limited to 250 copies.

wedish born christian smith is sitting firmly at the top of the electronic dance music industry. his outstanding productions over the years have set the bench mark high, releasing on a collection of the industry s most respected labels such as drumcode, cocoon, bedrock, minus and his very own tronic. 2016 has been a busy year so far for christian, his tronic label party series has been holding events worldwide, including the bpm festival and sonar off week, and an ever growing catalogue of releases not forgetting his most recent ep force majeure released in july on drumcode which immediately entered beatports techno top 10, straight in at no.8. this september, christian will release his third solo album titled input-output on his own tronic imprint. consisting of 11 original tracks, each one embodies christians message of creating real techno, with powerful percussions and melodic basslines throughout. input/output is an outstanding production offering some of the best driving techno you can expect from an artist like christian, with his trademark style incorporated in every track. it takes you on a journey, through a variation of sounds and textures, which still manage to cater to everyone s musical palate. synthesizers work their way throughout, alongside dark atmospheric harmonies and haunting vocals or that pounding kick drum in some of the heavier tracks. it never disappoints!

after a few digital releases, lunar convoy delivers a masterfully executed debut ep to inaugurate newcomer belgian imprint norite’s vinyl series. counting northern electronics, hypnus records, semantica and prologue among his main influences, lunar convoy’s first effort is utterly coherent while not failing to evoke a plurality of emotions. imbued with sacred atmospheres, infiltrated with mysticism, ritualistic melodies and aesthetically charged rhythms, outer rim territories is a testimony of his love for deeper realms. on the a side, seswenna’s trancey lead synth and pumping bass opens the ep with an excursion towards distant planets. ryloth ventures into darker fields, scattered with whirring and saturated analog complains and haunted by ancient voices. on the flip side, eriadu sets a more mystical pace with syncopated kicks and floating eerie pad, to embark on a parallel dimension. allen’s take on ryloth is symptomatic of the us-based producer, speeding things up and offering a stripped down version filled with devastating hi-hats and firing toms to end this solid 4-tracker with the hypnotic-yet-effective sound that got him signed on attic music, m_rec ltd, polegroup or more recently granulart recordings. with such a captivating release, lunar convoy has set a high bar for the upcoming releases and left us under his sway.

ltd edition! michele pinna presents a new lp under a fresh moniker and alter ego, time traveler, representing a direct confrontation of the artist s own fear of time as an unrelenting force. the lp, titled ‘i m made of stars / journal’, takes inspiration from conversations between pinna and his father on the topics of galaxies, space and of course, time. these converstions were the starting point for the abstract, futuristic and dark work presented on the new lp. the release also draws on pinna s artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the lp. this visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers nicolas mazzei, danila tkachenko, khourianbeer and cinzia ara

geordie soul powerhouses smoove & turrell are back ahead of their upcoming album crown posada with the barnstorming single - you could’ve been a lady.
they are a breath of fresh air in the often cliched world of soul bands. the boys make no attempt to sound or look like anyone else - not for them the sharp suits and trumpet twirls of some of their peers. instead you get a wildly talented and vital crew of larger than life north east lads taking their rightful place on the international soul scene having already become figureheads within the uk.

he s been doing liveshows for a long time, 20+yrs or so..... not until few years ago daniel started to pop up on various labels. borft want to say hello mr rave, serve us with your liquid-bricks!

zweites album des aus london stammenden künstlers samuel evans aka rain dog auf dem berliner project mooncircle label. die limitierte vinyl edition erscheint als farbige doppel-lp mit mp3-download coupon.

concorde schwarze spitze für das pro s system... the pro s has a spherical dia-mond stylus which minimizes scratching and a solid cantilever which can survive hectic activity at the turntable. the sound quality is absolutely not to worry about. the pro s is a consistent performer and a fi ne all-rounder!

after the introduction of their black label series pre summer part 1 exploring some dubbed out sounds september begins and part 2 lands bringing you closer to the dance floor. groovy minimal business from the banoffee camp. do not sleep on this!

alessandro diga, a young talented dutch artist, delivers 3 solid techno tracks for the fifth release on the bergwacht record label. “phaedra” starts with a great bassline and goes into a warm melodic techno track with a lot of emotions, dreamy synths and it goes along with a clear hihat. the track is able to be dreamy and not cheesy at the same time. “sonora” is grounded on a rolling bassline and clear hi-hats as well, it goes over in nice effects with outstanding breaks, but it finds back to the starting rhythms. “dahlia” the hidden b-2 track transmits a deep journey with melancholic feelings.

the ninth installment on house is ok comes from homeboy who brings four fresh joints to the table. after making the move to berlin earlier this year, this mediterranean goodboy brings some newly acquired production techniques with his latest record. live drum sampling, loose synth riffs and other more personal notes can be heard across the entire release. for decisions ricochet, homeboy teamed up with the croatian blues man bebe na vole who takes this record into unexplored territories for the label. these four tracks werent necessarily designed to move bodies on the dance floor, but more likely mirror his inspiration from the past 12 months and show his abilities to simply write great music. its house not house, post-disco, jazz, and acid synth hippie music all at the same time. the heart is where homeboy is will hit stores in late september both as a 12? vinyl ep

ears have eyes are ready to drop their 4th release, this time drawing on the fertile pool of talent available in their adopted home of south east london. we kick off with the duo fyi chris who, while not manning the counter of peckham institution rye wax, have been putting together an impressive string of releases on labels such as church, lumberjacks from hell and rhythm section.

one sided vinyl with silkscreened b side, comes in clear sleeve with poster numbered, edition of 350 dreams really come true: when we heard tomemitsu s beautiful lo-fi indie songs on the cassette -m_o_d_e_s- back in 2013 we fell in love! especially the track -in dreams- followed us around for months. humming it in the subway, singing along in the car. many dreams later we found out that our friend and fellow hamburger stefan marx also loves the song and even named an art show after it. coincidence? surely not, so together we made the plan to release -in dreams- on vinyl. luckily tomemitsu himself was very happy with the idea and even allowed rss disco to remix the song. the notorious dj and production trio upped the tempo to head-spinning 99bpm, recorded additional drums & bass and added several minutes of pleasure. finally, the two tracks will be released on vinyl for the first time. screen-printed records, including a poster in a clear sleeve. music by tomemitsu, designed by stefan marx, remixed by rss disco, released by mireia records. it s all a dream!

the term cosmic classic has been banded around increasingly in the last decade, with its modern disco retake, thankfully, soon running out of steam. however, in michael chapmans lescudjack we see the genius of daniele baldelli in finding obscure records that do not fit the traditional dance floor and making them work.